Knowledge is Power - Samuel Scarborough

Knowledge is Power

Secrets of the Magickal Grimoires : The Classical Tests of Magick Deciphered, Aaron Leitch. Llewellyn Publications; Woodbury, Minnesota, USA, 2005. 432 pages. $29.95 USD

review by Samuel Scarborough

Secrets of the Magickal Grimoires The lure of that secret, hidden knowledge buried in a old musty tome just waiting for someone to come along and read the words thus releasing some great power, has lured many new magician with the hopes that they can do just that from picking up those slightly scary and to some degree, awe-inspiring books known as Grimoires. Unfortunately, most of the magical community has done just that, but once we had these books with names like Clavicula Salomonis (The Key of Solomon the King), the Lemegeton, the Goetia, Grimoirum Verum, or even that seemingly holy (unholy) book, The Grand Grimoire, what do we do with them? We read them and quickly learn that we are not sure what we are supposed to do with this great secret wisdom and power that we hold in our hands, so these books go back on the shelf to collect dust for most of us.

Now a new light shines on these often discussed, but long neglected books on our shelves. Aaron Leitch, a scholar and spiritual seeker with over a decade of practical experience has written a book that will be helpful to every magician that has the call to work with those classic books on magic. Where books like Modern Magick by Donald Michael Kraig and Summoning Spirits by Konstantinos give the hopeful magician snippets of information or information that is not that helpful to many, Leitch lays out a detailed method of working with these classics.

When I first got the book I was impressed for a product from Llewellyn. In many cases Llewellyn’s books do not have any sort of reference of where the writer is getting his information, but in Secrets of the Magickal Grimoires, there are detailed endnotes at the end of each chapter showing the research that has gone into the material presented. The next thing that caught my eye was the use of relevant images throughout the book to illustrate a point made by Leitch in the text or to help explain passages from those musty old books. Being something of a scholar myself, I just had to check out what the bibliography looked like…I was again surprised to find one of the most comprehensive bibliographies that I have seen in sometime outside of most academic circles. Finally, I got the best surprise of all…I sat down to read the book, and in the text was clear knowledge of those sirens known as the grimoires. Aaron Leitch clearly expressed his points and explained those difficult passages from such esoteric volumes as the Heptameron and the Sworn Book of Honorius in a clear manner that shed the light of understanding suddenly on just what those magicians of 400 – 500 years ago were talking about.

The book is impressive in its size. At four hundred and thirty-two pages with additional xxi pages of Table of Content, Acknowledgements Preface, and Introduction it makes for a large book. Do not let the size fool or scare you away, it is well worth reading. The Preface is full of praise for Leitch and his work on the subject is written by Chic and Tabatha Cicero. The rest of the book covers such topics as medieval magick with a short history of the classic grimoires from the Picatrix to The Grand Grimoire and every other classic grimoire or important text relating to them such as Barrett’s The Magus and Casaubon’s A True and Faithful Relation of What Passed for Many Yeers Between Dr. John Dee (A Mathematician of Great Fame in Q. Eliz. And King James their Reignes) and Some Spirits to chapters on what tools are described in the texts of the old grimoires with modern-day methods of creating them as well as many places to find the required materials for them. The meat of the book though covers the operations listed in the classic grimoires and just what is meant for a person to follow the often misunderstood instructions that were written in them so that a person can perform them in the 21st Century.

If the glowing words above do not inspire you to get this book, then I will say it in very plain English. Go out and buy this book, come home and read it, and then look at those dusty volumes on your shelf that long ago promised you the lure of sudden power and knowledge of our Holy Guardian Angel in a new light.

	Journal of the Western Mystery Tradition No. 10, Vol. 1, Vernal Equinox 2006
	Knowledge is Power Secrets of the Magickal Grimoires : The Classical Tests of Magick Deciphered, Aaron Leitch. Llewellyn Publications; Woodbury, Minnesota, USA, 2005. 432 pages. $29.95 USD review by Samuel Scarborough The lure of that secret, hidden knowledge buried in a old musty tome just waiting for someone to come along and read the words thus releasing some great power, has lured many new magician with the hopes that they can do just that from picking up those slightly scary and to some degree, awe-inspiring books known as Grimoires. Unfortunately, most of the magical community has done just that, but once we had these books with names like Clavicula Salomonis (The Key of Solomon the King), the Lemegeton, the Goetia, Grimoirum Verum, or even that seemingly holy (unholy) book, The Grand Grimoire, what do we do with them? We read them and quickly learn that we are not sure what we are supposed to do with this great secret wisdom and power that we hold in our hands, so these books go back on the shelf to collect dust for most of us. Now a new light shines on these often discussed, but long neglected books on our shelves. Aaron Leitch, a scholar and spiritual seeker with over a decade of practical experience has written a book that will be helpful to every magician that has the call to work with those classic books on magic. Where books like Modern Magick by Donald Michael Kraig and Summoning Spirits by Konstantinos give the hopeful magician snippets of information or information that is not that helpful to many, Leitch lays out a detailed method of working with these classics. When I first got the book I was impressed for a product from Llewellyn. In many cases Llewellyn’s books do not have any sort of reference of where the writer is getting his information, but in Secrets of the Magickal Grimoires, there are detailed endnotes at the end of each chapter showing the research that has gone into the material presented. The next thing that caught my eye was the use of relevant images throughout the book to illustrate a point made by Leitch in the text or to help explain passages from those musty old books. Being something of a scholar myself, I just had to check out what the bibliography looked like…I was again surprised to find one of the most comprehensive bibliographies that I have seen in sometime outside of most academic circles. Finally, I got the best surprise of all…I sat down to read the book, and in the text was clear knowledge of those sirens known as the grimoires. Aaron Leitch clearly expressed his points and explained those difficult passages from such esoteric volumes as the Heptameron and the Sworn Book of Honorius in a clear manner that shed the light of understanding suddenly on just what those magicians of 400 – 500 years ago were talking about. The book is impressive in its size. At four hundred and thirty-two pages with additional xxi pages of Table of Content, Acknowledgements Preface, and Introduction it makes for a large book. Do not let the size fool or scare you away, it is well worth reading. The Preface is full of praise for Leitch and his work on the subject is written by Chic and Tabatha Cicero. The rest of the book covers such topics as medieval magick with a short history of the classic grimoires from the Picatrix to The Grand Grimoire and every other classic grimoire or important text relating to them such as Barrett’s The Magus and Casaubon’s A True and Faithful Relation of What Passed for Many Yeers Between Dr. John Dee (A Mathematician of Great Fame in Q. Eliz. And King James their Reignes) and Some Spirits to chapters on what tools are described in the texts of the old grimoires with modern-day methods of creating them as well as many places to find the required materials for them. The meat of the book though covers the operations listed in the classic grimoires and just what is meant for a person to follow the often misunderstood instructions that were written in them so that a person can perform them in the 21st Century. If the glowing words above do not inspire you to get this book, then I will say it in very plain English. Go out and buy this book, come home and read it, and then look at those dusty volumes on your shelf that long ago promised you the lure of sudden power and knowledge of our Holy Guardian Angel in a new light.
	Index